Roadkill
Derived from a photograph Rian Hughes took in Hong Kong, the Roadkill family of typefaces is a literal interpretation of rough and worn road lettering. The original provided almost all…
Rogue Sans Nova
Originally commissioned by magazine publisher IPC, Rogue has proved to be one of the most popular Device releases. Now extended and updated as Rogue Nova, it sports additional weights, East…
Rogue Serif
Recently the Rogue family was designed as an accompaniment to Paralucent for Loaded, London's notorious lads-mag that had found its design being cloned by the competition and sought something unique…
Rutherford
Rutherford is clear, robust and authoritative, and reads well at small text sizes while also having the required heft for larger headlines. A wide range of weights makes it a…
Saintbride
Based on gnostic studies of indecipherable Lovecraftian mausoleum inscriptions conducted in hidden colonnaded antechambers, Saintbride has an architectural and stone-carved heritage that makes it suitable for Gothic romances, metal CD…
Salvation
Rough and ready, bold and urgent. Or playful and fun in bright colours. The original letters were cut from actual potatoes, then scanned in and converted to vector outlines. Lighter…
Serenity
A versatile and elegant sans serif with a hint of Futura and a dash of Gill, but entirely its own design. Clear and legible in small sizes, refined and authoritative…
Shard
Shard was originally commissioned for Nickelodeon’s 3D reboot of the Teenage Mutant Ninja Turtles franchise. It complemented the show’s new angular logo, which Rian Hughes also designed. There are alternative…
Shenzhen Industrial
With its contours roughened by ink spread on porous cardboard, Shenzhen Industrial evokes packing crates, stamped documents and urban grit with high-impact urgency.
Sparrowhawk
Sparrowhawk, a capitals only titling, evokes a suburban English gentility.