112 Hours
Rian Hughes’ 15th collection of fonts, “112 Hours”, is entirely dedicated to numbers. Culled from a myriad of sources – clock faces, tickets, watches house numbers – it is an…
Absinthe
Absinthe explores forms based on a truncated ellipse and eschews straight lines to give an entirely modern take on some of the forms more closely associated with Art Nouveau.
Albiona
A contemporary slab-serif which revisits aspects of Robert Besley’s all-time classic Clarendon, designed around 1842 for Thorowgood and Co. and named after the Clarendon Press in Oxford. The original design…
Albiona Inked
Albiona Inked is a vintage distressed version of Albiona that evokes the urgency of teletext printers, typewriter ribbons and authentic hot-metal type on rougher paper. A contemporary slab-serif, it revisits…
Albiona Soft
A rounded version of Albiona, a contemporary slab-serif which revisits aspects of Robert Besley’s classic Clarendon. Originally named after the Clarendon Press in Oxford, the type family was subsequently extended…
Argent
An elegant sans with a low lower-case x-height, diamond-shaped dots and a reweighed complimentary italic with subtle calligraphic touches. With its generous spacing and leading, Argent is very readable in…
Armstrong
An elegant geometric linking script that uses OpenType programming to intelligently substitute "beginning" and "ending" characters with uniquely designed variants. The family also includes swash alternates that can be toggled…
Autospec
Designed as a companion to Autofont, this dingbat set was originally developed for What Car? magazine, the UK’s leading automotive consumer title. Use in charts and reviews to indicate metallic…
Battery Park
This stencil font, inspired by a fleeting glimpse of a Bronx plumber’s van seen through the rain-spattered window of a New York taxi, is evocative of urban grit, knock-down warehouse…