Palmer Oxonian NF
The 1884 specimen book of San Francisco Palmer and Rey Type Foundry featured this elegant design under the name Oxford. The decorative caps, combined with the centered small caps, have…
The 1884 specimen book of San Francisco Palmer and Rey Type Foundry featured this elegant design under the name Oxford. The decorative caps, combined with the centered small caps, have…
Here’s a typeface with a stance as big as Texas. It’s based on Vincent Pacella’s 1960s oeuvre for Photo-Lettering, Inc. called Pacella Vega Extended 10, and named for a county…
This typeface is an amalgam of two cut-paper typefaces, as presented by Margaret Shepherd in her book, Calligraphic Alphabets Made Easy. Also included are a glue bottle at the bar…
This timeless classic is patterned after the typeface Camelot, designed by Morris Fuller Benton for American Type Founders in 1926. Its elegant lines and pleasing color make it suitable for…
Will Ransom designed the exemplar for this series for Barnhart Brothers & Spindler in the early 1900s. The typeface was originally named "Parsons", after the advertising director of a Chicago…
This typeface takes its inspiration from Will Bradley's Ultra Modern Initials, released by American Type Founders in 1934. Unlike the caps-only original version, both versions of this font contain complete…
In Lewis F. Day’s 1910 classic, Alphabets Old and New, the author presented the inspiration for this typeface as an example of German monumental lettering, most likely to suggest not…
The inspiration for this exuberant exercise in penmanship was found in Frank H. Atkinson's A Show at Sho-Cards: Comprehensive, Complete, Concise, published in 1918, executed with the then-state-of-the-art Payzant Reservoir…
Every type library needs a generic, comicbook-style “POW!” font, and this one is ours. Breezy, bouncy and bold, it’s the perfect choice for rock-em, sock-em headlines. Both versions of the…
This decidedly Deco offering is based on a rather unconventional stencil lettering treatment offered by F. A. Pearson in his 1923 tome, Ticket and Showcard Designing. Strong and stylish, the…