Lalola
Lalola (whose early version was released as ‘Lola’ by the spanish foundry Type-Ø-Tones in 1997) is a display typeface with strong attitude. It was inspired by a lettering model by…
Lalola (whose early version was released as ‘Lola’ by the spanish foundry Type-Ø-Tones in 1997) is a display typeface with strong attitude. It was inspired by a lettering model by…
Karol Sans is the perfect companion for Karol, without being a literal translation of it. It has its own personality and offers a wider range of six weights and their…
Tschicholina is inspired by a project by Jan Tschichold dating back to 1929. It is a unicase "universal" font which has always been considered to have very little future; this…
We usually describe Mayayo as no good for condolence letters, nor for carving inscriptions, etc. Indeed, as we have seen, the designers who choose Mayayo used it in funny different…
Despatxada letters are the scans of the alphabet of a manual rubber press. Letter by letter. Real prints. Real textures. You will not find another typeface like this. An heroic…
Hannover Modern belongs to a series of typefaces used at the Estudio Mariscal in Barcelona. José Manuel Urós developed this weight, a vigorous egyptian-style, the embodiment of the Javier Mariscal…
Adelita by Adela de Bara, Laura Meseguer / OpenType, 4 styles Adelita has its origins from Adela de Bara’s hand drawings, a display typeface with balls at the end of…
Ivà by Joan Barjau / OpenType, 2 styles. Ivà, a very personal script based on the handwriting of the cartoonist called Ramón Tosas "Ivà, digitised by Joan Barjau in…
Matricia by Pera Ribalta, José Manuel Urós / OpenType, 3 styles Nostalgically, the three weights of Matricia try not to recreate the modern pixel fonts but the noisy needle printers.…
Vulcano is the mesmerising creation of Salvador –Tori– Alimbau, the one-type-man who gave us this maze. José Manuel Urós took months to devise a negative-positive system for these characters. Hypnotic,…