New Journal
The typeface was designed at the Polygraphmash type design bureau in 1951-53 by Lev Malanov, Elena Tsaregorodtseva et al. Based on Cyrillic version of Excelsior, 1931, of Mergenthaler Linotype, by…
New Letter Gothic
New Letter Gothic was designed for ParaType by Gayaneh Bagdasaryan based on monospaced Letter Gothic font by Roger Roberson, 1956–62. Due to clear and easy-to-read lettershapes of Letter Gothic the…
New Standard
Designed at Polygraphmash circa 1940 (project manager Anatoly Shchukin). Based on the text typefaces of the late 19th and early 20th centuries of Obyknovennaya (Common) group. The digital version developed…
Newton
Based on Times New Roman of Monotype, 1932, by Stanley Morison and Victor Lardent, and other versions of Times. It has many characteristics of an Old Style serif faces; it…
Nina
Based on informal pen handwriting. A set of Western characters and two bold weights were added in 2011 by Gennady Fridman. For use in advertising and display typography.
OCR One
Designed at ParaType in 1997 by Tagir Safayev. Based on OCR-A typeface (1968) of American Type Founders. A simple sans serif typeface designed to meet the requirements of the US…
Octava
PT Octava™ was designed at ParaType in 2001 by Vladimir Yefimov. The first (Cyrillic only) version named Scriptura Russica (1996) consisting of three styles (book, italic, bold) was commissioned by…
Olga
Based on informal pen handwriting. A set of Western and Central European characters was added in 2011 by Gennady Fridman. For use in advertising and display typography.
Opticum
Font family Opticum is not just a set of fonts, it’s a maze construction kit that hides letters inside. Each inscription is a little brain-twister with variable difficulty, where the…
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