Kleukens Kursiv NF
This classic face is based on Kleukens Scriptura, designed by Friedrich Wilhelm Kleukens in 1926 for D Stempel AG. It served as an alternative to Lucien Bernhard's Cursive and an…
This classic face is based on Kleukens Scriptura, designed by Friedrich Wilhelm Kleukens in 1926 for D Stempel AG. It served as an alternative to Lucien Bernhard's Cursive and an…
This typeface made its first appearance in Schelter & Giesecke's 1915 specimen book. It exhibits the cleanness and crispness one might expect in a sans-serif face, along with a few…
Here's a new, softer take on the classic typeface Koralle, released by Schelter und Geisecke in 1913, and as fresh today as it was then. Both versions of this font…
This playful offering, suggestive of Cooper Black on some serious drugs, is based on the so-called “California” style of lettering used extensively in travel posters of the 30s to the…
Introducing a series of decorative initials with a twist: each font contains two complete alphabets, A-Z, and numerous border elements in the numeral and shift-numeral positions. Classic, ornate, quaint and…
J. M. Bergling called the inspiration for this typeface “modern”—at least, it passed for modern in 1914. Its bold, sinuous forms and unusual decorative treatment suggest stained glass of a…
The dreams that you dare to dream really can come true when you perk up your headlines with this re-imagining of Saul Bass's 1982 glitzy Deco classic, Rainbow Bass. For…
This luscious, loopy Lombardic face was inspired by an offering in the 1938 classic, Letters and Lettering by Paul Carlyle and Gus Oring. Suitable for formal or informal occasions. Both…
Lettering on a 1927 menu by prominent poster artist Razzia provided the inspiration for this decidely Deco typeface. The restaurant itself was the setting for one of Georges Simenon’s many…
An unusual blend of block and script letterforms, based on poster lettering for an Italian fashion house of the same name, designed by Wilman Schiroli in 1935, and notable for…