Coins Coupes NF
Chamfer, released by Barhart Brothers & Spindler in the late nineteenth century, provided the pattern for this simple, elegant headline face. Both flavors of this font feature the 1252 Latin,…
Chamfer, released by Barhart Brothers & Spindler in the late nineteenth century, provided the pattern for this simple, elegant headline face. Both flavors of this font feature the 1252 Latin,…
Here's another collection of ornate border elements gleaned from the 1888 specimen books of James Conner's Sons United States Type Foundry in New York City. Refer to the PDF guide…
Among the many display faces Milton Glaser designed during the heyday of Push Pins Studios was the pattern for this dramatically shadowed face, whose original name—for reasons unexplained—was "Kitchen." Well,…
A handlettered headline in the January 1953 issue of Park East magazine by wacko album artist Jim Flora provided the inspiration for this exercise in extreme lettering. Check out the…
Here's an unusual take on a "modern" typeface, based on a 1936 release from England's Stephenson, Blake foundry, which serves well for interesting headlines. Both versions of this font support…
This multipurpose display alphabet combines medieval-inspired uppercase letters drawn by famed book illustrator Walter Crane with charming, if somewhat quirky, lowercase letters by J. W. Weekes. The net effect is…
Here's a flashback to the sixties, which originally went by the rather unimaginative name of Triline. It's available in two versions: regular and swash caps. In the swash version, the…
This typeface is a faithful reproduction of an elegant and somewhat quaint design by Morris Fuller Benton, which first appeared in the American Type Founders 1913 specimen book. It's equally…
A collision between fine, fat caps developed by legendary letterer Alf Becker, and a squirrely, curly, uncredited lowercase uncovered by artist Leslie Cabarga produced this merry romp through the alphabet.…
Here’s another offering based on the work of Alf Becker, long-time contributor to Signs of the Times magazine. This only comes from the 1940s, and is a light and bouncy…