HoTom

Linotype Ho Tom is part of the Take Type Library, which features winners of Linotype’s International Digital Type Design Contest from 1994 to 1997. Designed by Thomas Hoffman, this font’s…

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Impacta font

Impacta

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Linotype Impacta is part of the Take Type Library, which features the winners of Linotype’s International Digital Type Design Contest from 1994 to 1997. Dutch artist Marc Lubbers designed Impacta…

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Index font

Index

Index is a sans serif font which gives an impression of both movement and harmony. The soft, round forms of this font give it an almost ornamental feel. The influence…

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Indus font

Indus

Linotype Indus is part of the Take Type Library, which features winners of Linotype’s International Digital Type Design Contest from 1994 to 1997. Designed by P.H. Hashin from India, Indus…

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Industria font

Industria

Designed in 1984 by British designer Neville Brody for a magazine called The Face, Industria is an ultra-condensed sans serif display face that comes with an inline version. Its image…

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Insan font

Insan

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Insan, designed by Ihsan Al-Hammouri in 2005, is a modern Arabic typeface in three different weights. The design is based on simplified Naskh with a very low modulated stroke treatment.…

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Insignia font

Insignia

Insignia is a 1986 typeface by British designer Neville Brody. Originally developed as a headline face for Arena magazine, Insignia is a monoline display typeface immediately identifiable by cross-strokes on…

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Isonorm font

Isonorm

Isonorm was created in 1980 by the International Standards Organization (ISO). The font's design is simple, clean, and geometric, with strokes that all have rounded ends. Isonorm is a font…

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Isra font

Isra

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Isra, designed by Almamoun Ahmed in 2005, is a modern Kufi and a winner in Linotype’s first Arabic Typeface Design Competition. The highly geometric and condensed form make it ideal…

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Jalal font

Jalal

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Jalal is a modern Arabic text typeface with two weights: Jalal Light and Jalal Bold. Both of the fonts ship in the OpenType format, and include Latin glyphs (from Optima…

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