Castle
This family, which includes faces in light, book, bold, and ultra weights, more stroke contrast than is typical of sans serifs, making it very legible in text. Because of its…
This family, which includes faces in light, book, bold, and ultra weights, more stroke contrast than is typical of sans serifs, making it very legible in text. Because of its…
Designed by the swiss Haas'sche Schriftgiesserei, (Haas Type Foundry) Chevalier is a set of shaded capitals and figures, modern face or fat face in design. Ideal for business cards and…
An inline version of the Latin bold condensed, and designed on the suggestion of Robert Harling. There is a double white line, which was originally engraved in Latin type.
Choc is the work of French designer Roger Excoffon, based on the traditions of Japanese brush calligraphy, thick yet graceful. Choc light was designed by Phil Grimshaw, who had to…
Clairvaux was designed for Linotype in 1990 by Herbert Maring as part of the Type Before Gutenberg series. This blackletter typeface is based on quill-drawn letters from thirteenth-century manuscripts, although…
The Paris foundry Deberny & Peignot was the first to release this design in 1912 (also known as Sonderdruck, it was adapted by many other foundries in the 1920s). This…
Codex was designed by Georg Trump and introduced by the font foundry C.E. Weber in 1954. Based on the German Gothic script of the 13th century, this font has the…
Colombine is based on the handwriting of Gudrun Zapf von Hesse. The dynamic forms of Gudrun Zapf von Hesse's Colombine express the dance, the lightheartedness and the liveliness of Commedia…
The award-winning Conrad was created by Japanese type designer Akira Kobayashi. Its design was based on the fifteenth-century type by Conrad Sweynheym and Arnold Pannartz, two German printers active in…
Linotype Contacta is part of the Take Type Library, which features winners of Linotype’s International Digital Type Design Contest. Ralf Weissmantel designed this font to display no stroke contrast at…