Sabio
I regard Sabio as an evolutionary face. By this I mean that it merges elements of script and Roman design into one elegant whole. The design was 'evolved' somewhere between…
I regard Sabio as an evolutionary face. By this I mean that it merges elements of script and Roman design into one elegant whole. The design was 'evolved' somewhere between…
Portello is a display family in the tradition of Tuscan advertising and display faces. It's a family of three 'all capital' faces. A perpendicular regular form is offered, along with…
The 1930s, 40s and 50s contribute many elegant and clean font families to the design canon. Plebia—the plain font—is Greater Albion's homage to that elegant design canon. The basic design…
Pittsburgh is the latest (as at August 2011) in a range of inter-war American inspired commercial faces, and takes its place alongside the popular Bettendorff and the Spargo family. These…
Paveline is a punctuated script; by which we mean it has the look and character of handwriting, but the glyphs are discrete entities to aid legibility. It is actually based…
Par Avion's design draws something of its inspiration from the wings of the old BSA Motorcycles logo and was developed in parallel with our Vinea typeface family. “Par Avion” means…
Paragon is a display Roman family of nine faces, combining elements of formality and fun. It embodies a high degree of contrast between near hairline horizontal strokes and bold vertical…
Paget is a modern exploration of Tuscan design. Here you'll find simple geometric outlines with an 'Arts and Craft' charm about them. Paget is beautifully clear and easy to read,…