1590 Humane Warszawa
This family was inspired by a font carved circa 1590 for a Polish editor. We don't know who was the punchcutter, nor the printer's name. We have added the special…
This family was inspired by a font carved circa 1590 for a Polish editor. We don't know who was the punchcutter, nor the printer's name. We have added the special…
This family was inspired by the pure Garamond pattern set of fonts used by Egenolff and Berner, German printers in Frankfurt, at the end of the sixteenth century. All the…
This font was inspired by the rare manuscript Roman Quadrata used by an unknown scribe to inscribe a copy of the Roman poet Virgil’s GEORGICS, somehwere around 161 to 180…
This font was inspired by the “Cancellaresca moderna ” type, which was calligraphed by Francesco Periccioli (published in 1610 in Siena, Italy). It was entirely handwritten by the designer for…
This family was created inspired from the typeface models hand drawn circa 1610s by Basilius Besler (Germany) for the carved plates of his spendid “Hortus eystettensis”, a botanical manual, masterpiece…
This font was inspired by the well-known philosopher René Descartes' hand writing. In 1634, from Amsterdam, he wrote a famous letter to his friend Mersenne, a great scientist monk, in…
This font was inspired by a French solicitor's document dated 1638, written in the special style so named "Civilité". We have worked to transform the almost illegible original form into…
This font was inspired by the hand-written 1648 Munster peace treatise signed by French King Louis XIV and German emperor Ferdinand II. It is a Cancellaresca font style, meticulously written…
This family was inspired from the set of font faces used in Amsterdam by Daniel Elzevir to print the famous “Tractatus de corde...” the study on earth anatomy by Richard…
Font inspired by the decorative elements and opening capitals frequently in use in the early 1500s, under Geoffroy Tory’s book “Champfleury” influence, especially in Lyon (France). It is an entirely…