Plywood
Plywood is based on a long lost American film classic: Franklin Typefounders's Barker Flare from the early 1970s. Plywood is a surprisingly effective mix between the rigid confidence of nineteenth…
Poster Paint
Poster Paint is a fun shocard alphabet which came about from Jim Rimmer’s admiration of Goudy Stout, a design he liked in spite of the fact that Goudy himself claimed…
Press Gothic
Press Gothic is a revival of Aldo Novarese's Metropol typeface, released by Nebiolo in 1967 as a competitor to Stephenson Blake's Impact (designed by Goeffrey Lee). Though Metropol enjoyed a…
Puma
Based on Herbert Thannhaeuser's 1954 Kurier design, Puma is the digital version of what is possibly the friendliest yet least used heavy brush design. Aside from its utilitarian functionality as…
Quiller
Quiller is another catch from the hot metal days, another one that managed to slip through the fingers of both the photo-typers and digitizers of last 4 decades. JJ Sierke’s…
Ratio Modern
Designed in 1923 by Friedrich Kleukens for the Stempel foundry, Ratio was one of the first metal faces to bring the Didone genre to the forefront of industrial mass publishing…
Rawhide
Rawhide is a fresh digitization and expansion of a very popular (yet uncredited) early 1970s film type called Yippie, which was commonly used in wild west cartoons and comics. Publishers…
Recta
Recta was one of Aldo Novarese’s earliest contributions to the massive surge of the European sans serif genre that was booming in the middle of the 20th century. Initially published…
Redwood
Redwood is the fresh and lively digitization of the popular ATF landmark, Raleigh Cursive. Drawn by Willard Sniffin in 1929, and introduced by ATF in 1930, this classic script is…
Reiner Hand
One of the earliest fonts published by Canada Type was Almanac, Phil Rutter's digitization of Imre Reiner's 1957 calligraphic typeface, London Script. In 2007, when the font was revisited for…
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