Filmotype Miner
Originally released in the late 1960s, Filmotype expanded its Grotesque typeface category with the introduction of its Miner, Marlette and Manchester typefaces offering its own original take on this modern…
Originally released in the late 1960s, Filmotype expanded its Grotesque typeface category with the introduction of its Miner, Marlette and Manchester typefaces offering its own original take on this modern…
Filmotype Modern is one of the hallmarks of the Free Style faces of the Filmotype Library. This bouncy sans serif was originally introduced in the early 1950s and captures the…
Make way for Filmotype Power, a wide bouncy sans serif originally released by Filmotype in 1955 and captures the essence of mid-century casual playfulness. Filmotype Power was developed from the…
Rian Hughes’ 15th collection of fonts, “112 Hours”, is entirely dedicated to numbers. Culled from a myriad of sources – clock faces, tickets, watches house numbers – it is an…
Absinthe explores forms based on a truncated ellipse and eschews straight lines to give an entirely modern take on some of the forms more closely associated with Art Nouveau.
A contemporary slab-serif which revisits aspects of Robert Besley’s all-time classic Clarendon, designed around 1842 for Thorowgood and Co. and named after the Clarendon Press in Oxford. The original design…