Quiller
Quiller is another catch from the hot metal days, another one that managed to slip through the fingers of both the photo-typers and digitizers of last 4 decades. JJ Sierke’s…
Quiller is another catch from the hot metal days, another one that managed to slip through the fingers of both the photo-typers and digitizers of last 4 decades. JJ Sierke’s…
On April 29, 2006, Simone Chisena uploaded to the WhatTheFont forum a scanned two-page spread from a 1970s Italian gardening book, asking for the identity of the face used on…
Salome is a revival, normalization and elaborate expansion of a 1972 film face called Cantini. The original film type, released by a tiny independent outfit called Letter Graphics, looked like…
Earlier this year, my eyes fell upon a discarded wedding invitation on the sidewalk. A closer look at it revealed that it had at one point been victimized by rain.…
Emulating real handwriting has always been an aim of font designers in the digital age. The standard mainstream scripts and doodles that were available for the longest time have not…
You are looking at the friendliest, happiest and most faithful of puppies. It comes to greet you as soon as your eyes see it, radiates its joy, wags its tail,…
Siren Script takes its cue from BB&S's Stationers Semiscript (metal, 1899) and its countless imitations/inspirations from throughout the 20th century, particularly a variety of uncredited film faces from the 1960s.…
Steiner Special is a revival and expansion of an art nouveau face called Swing, originally designed by Peter Steiner in 1974. Some of the original film type letters were slightly…
Sterling Script was initially meant to a be digitization/reinterpretation of a copperplate script widely used during what effectively became the last decade of metal type: Stephenson Blake's Youthline, from 1952.…
Stock is fat stencil on steroids, or perhaps laughing pills. Many a design will benefit from Stock's loud message. Comes in a regular style and a very unique unicase, as…