Bothas Ruhm NF
This font features the seldom-seen alternate characters for Blockschrift, one of the pioneering Swiss-style grotesks, released by the Genzsch & Heyse foundry of Hamburg in 1897. Both flavors of this…
This font features the seldom-seen alternate characters for Blockschrift, one of the pioneering Swiss-style grotesks, released by the Genzsch & Heyse foundry of Hamburg in 1897. Both flavors of this…
Based on a typeface originally called "Seven Flare", this offering has a warm, slightly naive grace and a casual nostalgic charm. In addition, kerning has been applied to all possible…
This growing family of friendly faces is based on the typeface Bravour, designed in 1913 by Martin Jacoby-Boy for the D. Stempel AG foundry in Frankfurt am Main. The wide…
One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Brazos is an ultrabold, ultrawide sans-serif face that takes up a lot of…
Barnhard Brothers and Spindler called this typeface Congo when it appeared in their circa-1910 type catalog. The design is characterized by strong Art Nouveau influences, tight spacing and a large…
This assertively Art Deco face is based on Cubist Bold, designed by John W. Zimmerman for Barnhart Brothers & Spindler in 1929, and takes its name from one of the…
The inspiration for this typeface was discovered on a 1906 travel poster, promoting the Hotel Braunwald, located in the Swiss Alps. Its odd blend of Art-Nouveau-meets-the-Old-West makes for fetching heads…
Patented in 1867, this face adds peaks and shadows to the Egyptian form so popular at the time.
This engaging headline face is based on a rather pudgy typeface named "Bullion Shadow", which was originally released somewhere on the cusp between the hippie and disco eras, and was…
This in-yer-face kinda face is based on a broad brush font from "The New ABC of Showcard & Ticketwriting" by C. Milne, published in Australia in the late 1930s. Brought…