Langoustine Rouge NF
A typeface named Sorbonne, unearthed by intrepid font-finder Dan X. Solo, provided the pattern for this quaint little charmer. The exaggerated serifs make it stand out in a crowd, while…
A typeface named Sorbonne, unearthed by intrepid font-finder Dan X. Solo, provided the pattern for this quaint little charmer. The exaggerated serifs make it stand out in a crowd, while…
Gravure was designed by Morris F. Benton in 1927 for American Type Founders and was also released in 1929 by the London foundry of C. W. Shortt. This luminous face…
Here's something you don't see every day—Italian Art Deco woodtype. It's suave but unsophisicated, an unpretentious charmer. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic…
The uppercase letters of this magical, mystical face is based on various alchemical symbols used from the thirteenth through the sixteenth century; the lowercase letters are based on those found…
A typeface from the 1883 MacKellar, Smiths and Jordan specimen book, called Roundhead, offered the pattern for this rollicking headline face. Both versions support the Latin 1252, Central European 1250,…
Discovered within the pages of a turn-of-the-Twentieth-Century specimen book of the Società Nebiolo of Turin, Italy, was this little gem, which shows both antique and Art Nouveau influences. Both versions…
This sometimes-top-heavy, sometime-bottom-heavy, sometimes-centered typecase is based on an old Photolettering face designed by the irrepressible Dave West, originally called "Nickelodeon". That name was already taken, so I chose another…
Here's another Disco-era darling, based on Wolf Magin's contemporary offering, originally called Black Line. It's a natural choice for sassy headlines with a cool Retro vibe. Both versions contain the…
A typeface named, simply, Geometric, from the 1885 Cleveland Type Foundry specimen book, has been beefed up a bit and softened with round serifs to create this everything-old-is-new-again gem. Both…
This typeface is patterned after the lettering produced by the Marsh Stencil Making Machine, which was an indispensable part of industrial shipping departments in the mid-twentieth century. The font is…