Half Full NF
This cheerful charmer is based on Glass-Antiqua, designed by Franz Paul Glass for the Genzsch & Heyse foundry of Hamburg in 1912. Great for engaging headlines with a playful twist.…
This cheerful charmer is based on Glass-Antiqua, designed by Franz Paul Glass for the Genzsch & Heyse foundry of Hamburg in 1912. Great for engaging headlines with a playful twist.…
In their circa 1900 specimen catalog, Barnhard Brothers and Spindler called this typeface "Samoa", suggesting exotic locales. On the other hand, it also suggests some serious fun, and is named…
The letterforms for this unusual display face were inspired by a 1930s ad for Tanguy Crepes, by an uncredited artist. Due to the ornate nature for this font, it has…
This loopy offering is patterned after a typeface from the 1888 specimen book from the Central Type Foundry of St. Louis, called simply "Spiral". The ragged contours on the original…
Based on the typeface Sculpture, designed by Charles Allen in the 1960s for Photolettering, this font is an intriguing exercise in implicit letterforms, using cast shadows to suggest, rather than…
This delightfully playful font is based on a single-stroke pen font from the 1922 tome Heberling’s Basic Lettering, and elements of composition, color harmony, gilding, embossing-processes, etc. by Walter A.…
The 1888 edtion of James Conner's Sons United States Type Foundry specimen book listed this little gem simply as "Antique Light". Its original, rather anemic outlines have been beefed up…
Eh, what's up, Doc? This cuddly little oddball of a typeface was originally released under the rather unlikely name of Hercules by the Amsterdam Typefoundry in 1926. This face includes…
Blandford Press strikes again, with a delightful, delicious, de-lovely offering from their 1946 tome, Lettering for the Commercial Artist. The editor, A. H. Hunter, called this one simply "The Elegant…