Olympian
Designed by Matthew Carter and intended for newspaper use. Contemporary newspaper columns are narrow and require typefaces that are efficient in their use of width. The old-style diagonal emphasis is…
Shelley Script
The Shelley family was designed by Matthew Carter for Linotype in 1972. The three script faces have identical lowercase letters, with design variations in the capitals. It is a formal…
Snell Roundhand
Snell Roundhand was created by Matthew Carter for Linotype in 1966. The design is based on the handwriting of Charles Snell, an English writing master who wrote The Pen-man’s Treasury…
Bell Centennial
Bell Centennial font was created by Matthew Carter in 1976 for the American telephone company Bell. Its bold, clear characters make it an extremely legible and distinctive font.
Charter BT
Bitstream Charter was designed in the mid-1980s by Matthew Carter. The typeface was designed with the limitations of low- and middle-resolution output devices in mind; hence the squared off serifs…
Freeform 721
Auriol font was the basis for the lettering used by Hector Guimard for the entrance signs to the Paris Metro. Bitstream’s Freeform 721 with his brush stroke look, is well-suited…
Amariya
Designed by Nadine Chahine, the Amariya™ typeface family is intended for long form, on-screen textual content. It supports the Arabic, Persian and Urdu languages. The design is consistent with traditional…
Linotype Devanagari
The new Linotype® Devanagari typeface is a traditional text face now available in five weights (from Light to Black) and suitable for a wide variety of print and digital uses.…