Mynor
A modern squarish sans inspired by machine-readable typefaces of the 1950s, including OCR-A and B. Smooth curved contours with a humanist touch sit in harmony alongside pure straight lines. Contrasting…
A modern squarish sans inspired by machine-readable typefaces of the 1950s, including OCR-A and B. Smooth curved contours with a humanist touch sit in harmony alongside pure straight lines. Contrasting…
A contemporary gothic sans font family with simple and condensed proportions. The design pays close attention towards balance and expression of form, creating a functional yet elegant typeface suitable for…
An elegant monoline typeface with smooth corner detailing. The simple linear design is best suited to identity, editorial and on screen uses. Details include 7 weights, a complete character set,…
A geometric sans serif with a precise fabricated appearance. Smooth corners are mixed with subtle angles to form a strong, legible typeface ideally suited for a wide range of applications.…
A modern heavy weight typeface ideal for use on print, web, motion, t-shirts and apparel. Details include 4 styles with 3 alternatives, extended European character set, manually edited kerning and…
This typeface is named after Markus Low, the designer of the 1965 award-winning font Basilea. The design pays close attention to the original work combining romanesque styling with clean lines…
Loew is a geometric sans serif font influenced by the methods of the early industrial designers. Pure mechanical shapes are carefully adjusted to give the characters the right form, function…
Loew Next is the modern, honest and straightforward go-to sans serif type family aimed at a global user. Painstakingly reworked from the original design Loew to further enhance the consistency…
A modern digital typeface inspired by the 1976 sci-fi film Logan's Run. The grid structure is re-worked from the out-of-use typeface OptiStabile Xtra Light with various new changes, refinements and…
A modern geometric typeface influenced by the work of Dutch designer Wim Crouwel. The angular nature of the design lends itself strongly towards large display applications but because each character…