Briskly
There were several motivations for this font. It was a font in my style, a left-handed designer. But also, I wanted a script designed to work with ePUBs. This means…
Buddy Slender
Buddy Slender is the narrower version of the companion sans for Contenu, the book font family designed for a book on book family design called Practical Font Design. It's a…
Bulkr
Over the years, I've used Impact a lot. But, not because I liked it—rather because it was the only font I could find with the bulk I needed for a…
Bushing
Bushing is a quick serif experiment going for open light display type. For years I have always stopped and really liked what I saw with fonts like the original Cushing…
C&lc Uncial Pro
This is a radically modernized uncial with many OpenType features and 415 characters: Caps, lower case, small caps, numerators, denominators, accents characters and so on. There are 21 ligatures. It…
Chunkie
Chunkie is a simple serif experiment going for minimal width and maximum height. I made it into my display version of OpenType Pro, but mainly it was a vehicle for…
Contenu
Because Contenu is designed for text use, it is spaced for body copy in the 9-12 point range. That is far too much spacing for heads, subheads, and the like.…
CushingTwo
CushingTwo is the 6-font family designed for Fontographer: Practical Font Design for Graphic Designers: Regular, Oblique, Demi, DemiOblique, Bold, and BoldOblique. The two Demi variants will be listed separately in…
Cutlass
Cutlass was just for fun. A year ago or so, someone on typophile showed a scan of the word "Ciruelo". I liked it. Those were the only letters I had…
Diaconia Old Style
Diaconia Old Style is a new rendition of my workhorse body copy font that I originally designed to use for the body copy of "Printing in a Digital World." I…