LTC Cloister
Designed by Morris Fuller Benton 1913-15, this Oldstyle family was digitized by Jim Rimmer in the early 2000's. It is a roman face closely styled to that of Nicholas Jensen's…
LTC Glamour
Glamour was originally released by Lanston Monotype in 1948. It is based on Corvinus designed by Imre Reiner. P22 Designer Colin Kahn has added some unusual variants to this family…
LTC Jenson
Jenson Oldstyle was designed by J. W. Phinney of the Dickinson Type Foundry in 1893. Jenson is based on the 'Golden Type' designed by William Morris in 1890 for his…
LTC Kaatskill
LTC Kaatskill was made specifically for use in an edition of Rip Van Winkle for the Limited Editions Club. "I feel that Kaatskill owes nothing in its design to any…
LTC Kennerley
Kennerley Old Style was designed by Goudy for publisher Mitchell Kennerley in 1911. Goudy described it as a "book letter with strong serifs, firm hairlines, and makes a solid, compact…
ClarendoNeo Pro
Why do we need a new Clarendon? German designer Björn Altmann studied all existing versions of Clarendon and their sources and found that these Clarendons, originally designed for text sizes,…
Corporate A Pro
The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate A (Antiqua),…
Corporate A Std
The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate A (Antiqua),…
URW Akropolis
The design of this display face is based on the hot metal typeface Acropolis, issued by the German type foundry Ludwig Wagner in Leipzig in 1940. To further increase its…
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