Tinseltown NF
Suitable for headlines, subheads and short copy blocks, this decidedly Deco number is based on Willard T. Sniffin’s Hollywood, designed for American Type Founders in 1932. A few of the…
Suitable for headlines, subheads and short copy blocks, this decidedly Deco number is based on Willard T. Sniffin’s Hollywood, designed for American Type Founders in 1932. A few of the…
This fresh face takes a number of design cues from Tomás Vellvé Mengual's eponymous design for Barcelona's Neufville Type Foundry in 1971. This version softens many of the lines of…
Upperclass was a font I created back in 1995. I had a brainstorm about the uppercase letter “A”. I noticed that the cross bar for the letter A is always…
AlphaEcho is another of my experimental typefaces. Very streched and pointed with wide and narrow capitals only. For additional mixability I designed a set of swashes. Everything mixes with everything.…
»Elita« is a 100% geometric font designed on a 3 by 16 grid that makes it very slim. There are no optical tricks employed, it is purely geometric. The extreme…
Germania is a Sans font based on classic roman proportions and forms based on my Imperia font. But I added that distinct, rigid, no-nonsense German touch. This monoline font with…
»Guilloche B« is a set of graphics that join with each other to form very sophisticated, op-art-like borders. Try them on lots of different assignments, they form very surprising bands…
Maxi is a very french linear, geometric sans typeface, that can be used in all latin languages. The Maxi Plus has narrow uppercase glyphs instead of lowercase letters and the…