Bandera Display
This contrast serif typeface is good for display use. Bandera Display has six weights with original italics. It catches attention in headlines of posters and magazines. It works well with…
This contrast serif typeface is good for display use. Bandera Display has six weights with original italics. It catches attention in headlines of posters and magazines. It works well with…
This square serif typeface is a real workhorse. It is a modern tool for text design: extremely legible and well shaped. Bandera has six weights with original italics. It catches…
This serif typeface is a real workhorse. It is a modern tool for text design: extremely legible and well shaped. Bandera Text Cyrillic has six weights with original italics. It…
This contrast serif typeface is good for display use. Bandera Display Cyrillic has six weights with original italics. It catches attention in headlines of posters and magazines. It works well…
This square serif typeface is a real workhorse. It is a modern tool for text design: extremely legible and well shaped. Bandera Cyrillic has six weights with original italics. It…
A rounded sans-serif with even stroke thickness, based on the standard round-pen ink lettering used on technical drawings in the middle of the 20th century.
TX Switch and Switch Box are number 3 of 7 in the series asking how can personality described through handwriting be translated into typefaces? Each element of the analysis was…
Monia is a modern grotesque typeface family designed as a copy and display typeface. With its range of twelve weights, true italic weights, it offers a wide variety of design…
Richmond is a geometric sans family in the spirit of Dwiggins' Metro, Erbar by Jakob Erbar and the Underground type of Edward Johnston.
In the 1990s I drew a text face for the San Francisco Chronicle. It was based on W. A. Dwiggins’ Electra and incorporated many features of the Linotype Legibility Series:…