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»Julienne Più« is the new version of my Julienne, it has a much bigger (388) set of glyphs that is fit for all European languages. Plus normal and old style…

LaBodoni is my newly designed Bodoni. After having redesigned and saved Bodoni's Originals I thought it was about time I adapted the face to modern times. Here is what I…

MondialPlus is, as the name implies, a font meant for the whole world. MondialPlus is the newer and better version of Mondial. MondialPlus is designed to work in small sizes…

Monem is the word for the smallest significance-carrying part of a language. I thought that was a good name for a clean, straightforward Sans typeface. Monem is very sturdy and…

The hands in this font are the pointing, counting, threatening, signaling, demonstrating and playing hands I use in my own design projects. I have drawn them all with a felt-tip…

»NIC« (rhymes with "scenic") is a completely new very elegant grotesk font family that has nice contrast in the up and downstrokes. »NIC« has its own, very special character. The…

»NOTA« is a new, narrow, technical font– designed by Gert Wiescher in 2014 and 2015 – has 7 weights with corresponding oblique cuts. »NOTA« is well suited for advertising, logo,…

"NOTABENE" is a new, squarish, narrow, technical font– designed by Gert Wiescher in 2015 – has 7 weights with corresponding oblique cuts. "NOTABENE" is well suited for advertising, logo, billboards,…

»NOTICIA« is my new Sans based on the modernistic, constructivist letterforms of the »Bauhaus« era. The names Herbert Bayer and Paul Renner come to mind as design beacons of that…

»SLAM« is my new, very sturdy but elegant slab-serif font family. I designed this font family with body copy in mind and gave it all the glyphs necessary for use…