CRR NTN
CRR NTN regular and outline, is a futuristic font family. It works well as an identity logo type and 3D work. Together using the outline and the regular font, you…
CRR NTN regular and outline, is a futuristic font family. It works well as an identity logo type and 3D work. Together using the outline and the regular font, you…
Sans or serif? Square or rounded? Calligraphic or geometric? Conglomerate is both all and none of these things — a subtle yet unorthodox blend of typographic traits resulting in a…
Barbica is a glyphic typeface with the clean feel of a sans. Angular flared terminals and vertical struts provide stroke contrast and definition without being overly obtrusive. Paradoxically, the typeface…
Albia Nova is a bit of a new departure for Greater Albion-an unashamedly futuristic typeface. It was originally developed for a friend of ours-a set designer who needed some lettering…
Isabelle is the closest thing to a metal type revival Jim Rimmer ever did. The original metal face was designed and cut in late 1930s Germany, but its propspects were…
When type historians look back on Jim Rimmer, they will consider him the last type designer who just couldn't let go of metal type, even though he was just as…
Espuma Pro is a soft and friendly humanist sans-serif font family with strong calligraphic aftertaste. Presented in 7 weights, with true italics each, it features the traditionally rich language support,…
Coliseum Pro is a five-weight compressed spur serif font family. ITF’s original Coliseum family, released in 1992, was designed by Julie Hopwood and Pat Hickson. Steve Jackaman completely redesigned, redrew, and…
Steve Jackaman & Ashley Muir. This design was inspired by the 1965 VGC typeface, Jana by Richard D. Juenger. Rocklidge contains all the high-end features expected in a quality OpenType…
Foundry Form Serif was drawn concurrently as a sans and a serif, with matching capital and x-height proportions for harmonious use. The Foundry Form Serif design has a strong horizontal…