Freie Initialen-AR
Freie Initialen are derived from initials made for the Stempel Garamond series. The type was issued in 1928 in three sizes (36, 48, and 60 pt); the AR version follows…
Freie Initialen are derived from initials made for the Stempel Garamond series. The type was issued in 1928 in three sizes (36, 48, and 60 pt); the AR version follows…
Forum I AR is derived from the Forum I type designed by Prof. Georg Trump and issued by C. E. Weber in 1948.
Fry’s Ornamented is a revival of Ornamented No. 2 which was cut by Richard Austin for Dr. Edmund Fry in 1796. Stephenson, Blake & Co. acquired the type in 1905,…
Bravo-AR is based upon a 16-pt type designed by E. A. Neukomm and released in 1945 by the Haas foundry of Münchenstein, Switzerland. in 1948.
Maria-Ballé-Initials are derived from the Ballé series I made by the Bauer foundry. When set at 60 pt this font will match the size of the original 48-pt Didot design.
ARTypes Initiales ombrées transcribed from 84-pt letters made by Gillé fils in 1828, descended to Deberny & Peignot.
Raffia is derived from the Raffia initials designed by Henk Krijger and issued by the Typefoundry Amsterdam in 1952. Nine ornamental dashes based on designs by Crous-Vidal and issued by…
C-V dashes are transcribed from 72-pt ornaments designed by Enric Crous-Vidal and issued by Typefoundry Amsterdam c. 1950.
Forum II is transcribed from the Forum II initials designed by Prof. Georg Trump and issued by C. E. Weber in 1952.
Transcribed from letters designed by Jan van Krimpen for The Curwen Press at Plaistow, London, in 1925; printed on pages 49, 51 & 53 of A Specimen Book of Types…