decorative

This funny font was created inspired from a contract of sale for a field prepared by a French notary in the end of the year 1682 (December seventh). We have…

This family was inspired by the eroded and tired fonts used by printers from the sixteenth century to the early years of twentieth for cheap or fleeting works, like almanacs,…

This rough font, was created inspired from a lot of various european documents dated from the end of 1600's. We were in search of a hand to accompany with "The…

This set of initial letters was inspired from French renaissance decorated letters. It is a typical pattern, one among dozen quite similar, but this one was in use in Paris,…

This family was created from the set of font faces used in Lima (Peru) by Antonio Ricardo in 1584 for the first publication ever printed in Southern America: a four-page…

This family was created inspired from the Garamond patern set of fonts used by S. Millanges "imprimeur ordinaire du Roy", in Bordeaux, circa 1580-1590. Especially for reprint L'instruction des curés…

This family was inspired by a font carved circa 1590 for a Polish editor. We don't know who was the punchcutter, nor the printer's name. We have added the special…

This family was inspired by the pure Garamond pattern set of fonts used by Egenolff and Berner, German printers in Frankfurt, at the end of the sixteenth century. All the…

This font was inspired by the “Cancellaresca moderna ” type, which was calligraphed by Francesco Periccioli (published in 1610 in Siena, Italy). It was entirely handwritten by the designer for…

This family was created inspired from the typeface models hand drawn circa 1610s by Basilius Besler (Germany) for the carved plates of his spendid “Hortus eystettensis”, a botanical manual, masterpiece…