ITC Ozwald
ITC Ozwald joins its close relative Cooper Black in the family of heavy display faces. ITC Ozwald comes from the lineage known as “Fat Face” types, but informal, curvaceous, and…
ITC Ozwald joins its close relative Cooper Black in the family of heavy display faces. ITC Ozwald comes from the lineage known as “Fat Face” types, but informal, curvaceous, and…
It was a sprained ankle that inspired Joachim Müller-Lancé to design Ouch. During the 1995 ATypI convention, he spent the entire time on crutches, and during his hands-on time in…
In 1994, John Benson designed the typefaces Caliban, Alexa and Balzano, all with similar characteristics. The typefaces are distinguished by their calligraphic style and their closeness to handwritten script. Caliban…
Gerry Powell, typographer, industrial designer, and director of typographic design for American Type Founders, designed Onyx for ATF in 1937. A very popular advertising type in the 1940s, Onyx resembles…
This typeface is based on the handwriting of Max Caflisch, one of the foremost graphic designers of this century. Caflisch, a teacher of graphic arts for more than three decades…
“Bundesbahn” translates roughly to “national railway.” The characters in this pi font are used by the German national rail system. An assortment of travel and train symbols, Bundesbahn Pi could…
Nyx is a stencil typeface designed by lettering artist Rick Cusick and named after the designer's muse: the Greek goddess of night. Classic roman capital forms underlie its sharp, energetic…
A display face with strong contrast between thick and thin strokes and a distinct calligraphic influence, the Nueva font family is useful for display work in magazines, on packaging and…
British designer Jeremy Tankard began Blue Island in 1996 with the idea of creating a completely ligature-based roman typeface, an original but complex task that took years to realize. Individually,…
Joy Redick designed Blackoak, a big and heavy Egyptienne-sytle titling slab serif face, in 1990. The extremely robust style of the characters in this typeface was consciously distorted; creating letterforms…