Bayamo
Emil Bertell's Bayamo is a contemporary, digital take on the brush script tradition. It echoes the loose forms and energetic personality of sign painted letters, tapping into the current nostalgia…
Beefcakes
Inspired by butcher shop and supermarket window advertising, Beefcakes™ emulates "big brush” style lettering – with a contemporary twist. Not for the typographically timid, this is a design that makes…
Bell
Monotype’s hot metal Bell series from 1931 was based on original types made by the punchcutter Richard Austin for the foundry of John Bell in the 1780s. The different sizes…
Between
Akira Kobayashi’s Between™ typeface comes in three main states. While different from each other, they all offer human-centered design to ensure that copy set in them is affable and approachable.…
Biome
In the sketches that formed the basis for his typeface Biome, Crossgrove experimented with inner and outer shapes in different styles, adapted letters to the form of the super-ellipse, and…
Blado
Blado is the italic companion to Monotype Poliphilus, revived in the 1920s by Stanley Morison based on a type cut by Ludovico degli Arrighi for Aldus Manutius, around 1526.
Burlingame
The Burlingame™ typeface family from Carl Crossgrove is a sturdy typeface with open, clear shapes that offer high legibility, even in constrained digital settings, or in challenging print environments such…
Bustani
The Bustani™ typeface is a typographic interpretation of Naskh, a principal calligraphic style of Arabic script. Designed by Patrick Giasson and Kamal Mansour, Bustani is the first OpenType® font to…
Carnero
Carnero™ is a feisty hybrid of precise geometry and calligraphic flair; a design that walks that fine line between being sensible and a standout. In an increasingly monotone typographic landscape…
Cartier Book
Cartier was Canada’s first roman text typeface, created in 1967 to celebrate Canada’s centennial. Its designer, Carl Dair, was one of the country’s most celebrated graphic design pioneers, and a…