Armstrong
An elegant geometric linking script that uses OpenType programming to intelligently substitute "beginning" and "ending" characters with uniquely designed variants. The family also includes swash alternates that can be toggled…
An elegant geometric linking script that uses OpenType programming to intelligently substitute "beginning" and "ending" characters with uniquely designed variants. The family also includes swash alternates that can be toggled…
Designed as a companion to Autofont, this dingbat set was originally developed for What Car? magazine, the UK’s leading automotive consumer title. Use in charts and reviews to indicate metallic…
This stencil font, inspired by a fleeting glimpse of a Bronx plumber’s van seen through the rain-spattered window of a New York taxi, is evocative of urban grit, knock-down warehouse…
Designed originally for the BBC's listings magazine "Radio Times", this dingbat font has been extended to include the US rating as well as the UK ones and a selection of…
Broadside is a versatile, authoritative and functional family inspired by the sans serifs seen on ’40s and ’50s patriotic posters and period advertising. It is available in seven weights across…
A funky balloon type in three variants, Highlight, Shadow and plain old Vanilla. Guaranteed to bring a sense of playful fun to packaging, comic magazines, and merchandise.
A freeform linking script that uses OpenType programming to replace beginning and ending characters with uniquely designed variants. Also includes ligatures and an extended t-bar carefully designed to not collide…
DF Capitol features two faces, DF Capitol Skyline and DF Capitol Capitals (a multi-weight all-caps compliment) that epitomise Streamline Moderne. Strong geometry and large, open counters with heavily condensed verticals…
DF Capitol features two faces, DF Capitol Skyline and DF Capitol Capitals (a multi-weight all-caps compliment) that epitomise Streamline Moderne. Strong geometry and large, open counters with heavily condensed verticals…
Carilliantine updates the organic curves of Art Nouveau typefaces typified by John F. Cumming's Desdemona, designed around 1886. A contemporary monoline sans reinterpretation rather than a more traditional serif, its…