Monkton Book Condensed
Packing more copy in a narrow space is the main reason for using a condensed type. Characters with a more ovular shape tend to be less wide than their circular…
Monkton Incised
The inspiration for this typeface family came from my childhood experiences at West Monkton, amidst an historic part of the South West of England. Studies of the original incised capitals…
Hounslow
Hounslow is closely related to Acton in structure, and takes the latter’s simple block construction into the third dimension. Three variants – open, solid and shadow – can be freely mixed…
Acton
Acton is a deceptively simple, grid-based design. Though derived from a 2 by 3 arrangement of blocks, it uses white spaces to allow for more complex shapes – for example…
Stadia
Stadia is designed around a series of modular units: quartercircles, teardrop shapes, squares, circles and variations thereon. The versatility of these basic shapes is such that a teardrop, for example,…
Register
The capitals of Register share a similar construction to Morris Fuller Benton’s 1930 Bank Gothic for American Type Founders, but iron out the broader curves and add ‘ink traps’ to…
Lusta
Lusta plays with the interchangeability of an inline and an outline, negative and positive space. Often one single character will epitomise the design of a font, and here the S…
Telstar
A space-age headline font, Telstar explores a computer-readable sci-fi aesthetic based on an obround lozenge pierced with off-centre holes; the left-right weight switch derives from early optical recognition typefaces.
Automoto
Automoto is built from a limited number of curved and straight segments that have been flipped and rotated. It has an extensive set of two- and three-letter ligatures that form a triple ribbon…
Raw
Raw was designed in 2006 for Shelter, the UK homeless charity. It was originally called “Cathy”, after the film “Cathy Come Home”, which was instrumental in inspiring the founding of…
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