Harbour
Harbour is a clash of Latin and Germanic typestyles - two conflicting letterforms, culturally, politically and aesthetically. Latin letterforms have a geometric base, blackletter types are calligraphic. Harbour takes calligraphic…
Harbour is a clash of Latin and Germanic typestyles - two conflicting letterforms, culturally, politically and aesthetically. Latin letterforms have a geometric base, blackletter types are calligraphic. Harbour takes calligraphic…
A two version type family, Intimo One is a serif dot matrix typeface, letterforms made up of grid-based dots. Intimo Two is also made up of dots, but in this…
Simple, angular and incised, Jude mixes the geometric precision of the computer with expressive and intuitive letterforms. The typeface avoids classical references in construction and proportions to produce a bold,…
Klute references stylised forms of writing; historic Germanic, blackletter letterforms and graffiti and tagging. Its references are based on a personal idea of lettering - the action of writing is…
Originally developed as a logotype proposal for the Metropolitan Hotel in Park Lane, London. Available in upper case only, Metropolitan is a pure, streamlined, contemporary display typeface.
A typeface derived from a logotype designed for New-Age electronic band System 7 in the early 1990s. Metsys is a soft-tech take on the monoline aesthetic. Letterforms are purified, rounded…
A display typeface, a didot in upper case only, but with a set of decorative alternate characters mixing semi-cyrillic and lower case influences.
A decorative, maze-like multi-line typeface in two weights. Lower case is narrow, upper case is wide, the two can be mixed to give a variety of bold, dynamic effects.
Whereas blackletter types were hand written, Text letterforms are drawn using a series of graphic shapes that slot together in a series of permutations, one set for lower case and…