Agent
Agent was inspired by the classic fun lettering of 1930s Dutch alphabetician Martin Meijer. Casual and playful, Agent is a carefully considered amalgam of the art brush's organic forms and…
Albertan Pro
Albertan was the first Jim Rimmer typeface to make the transition from metal to digital. And for very good reason. When the first roman face was cut at 16 pt.…
Alexander Quill
Alexander Quill was originally designed in the early 1980s to be cut in 14 point for casting into foundry type for the setting and printing of limited edition books at…
Alexia
Philip Bouwsma is concerned about the survival of calligraphy in the computer age. The last time there was a technology shift of this magnitude, in Gutenberg's day, the metal workers…
Ambassador Script
When Aldo Novarese designed his “tipo inglese” Juliet typeface, he had a simple objective in mind: Reduce the inclination angle of the traditional 18th and 19th centuries English script in…
Annonce
Annonce is a digitization and expansion of a 1912 Johannes Wagner Foundry classic called Aurora Grotesk, which also circulated later on in metal under the name Annonce. Bold, extended and…
Apricot
A. R. Bosco made Romany for ATF in 1934, when there was much demand for script types in advertising and publishing. It was the high times of Speedball lettering, and…
Aragon
Re-introducing the classic mid-1500s Garamond forms for the twenty-first century is never an easy task. But Hans van Maanen makes a fine attempt at just that by remodeling the traditional…
Aragon Condensed
The condensed version of Hans van Maanen's Aragon is a headline star. The elements that made Aragon a popular "Dutch Garamond" text repeat here, with the slight stress shifts and…
Aragon Sans
Designed as a companion to its roman namesake, Aragon Sans is a novel approach to the humanist sans serif. Using the underlying blueprint of true and trusted 16th century forms,…