Coo Coo
So I made five rather odd characters for a logo for a friend… Then I thought I'd fill a couple of spare hours expanding it to a single alphabet… And…
Galerie Simpson
An entirely strange, illogical and inconsistent font packed with inappropriate curlicues and appendages “translated and composed” from a few words on a crumbling fragment of Victorian sheet music. It was…
Lemon Flower
A flower became crushed in the door frame of the studio (a fancy shed at the end of an overgrown garden)... pretty pale yellow stamens scattered on the floor... I…
Lobo
A juicy, mighty-morphing, modular font extracted from the crevices and convolutions of the brain, with nifty coding to cram every gap with tails and curlicues.
Message Of The Birds
A handful of these spiky, sprightly letters made up the twittering title page of 'Message Of The Birds', a song by one Flora Warner, found in stacks of crumbling scores…
No Liming
A chunky, laid-back typeface inspired by a hand-painted notice on the doors of a mechanic's workshop in Plymouth, Tobago. Two different mostly-uppercase alphabets in one font help to keep things…
Out Back
A twice-painted sign in Tobago's back country was the seed for this weird grab-bag of chunky, slightly sleazy letterforms.
Pegasus
Pegasus scrapes the DNA of a great twentieth century painter who scattered text across his work like no other… not any kind of facsimile, but tough, playful, adaptable display type…
Picklepie
Picklepie was created by Lydia, aged around 6 at the time, for use in her own artwork and things like party invitations, birthday cards and secret files. It looked so…
Pigeonpie
Pigeonpie is the second font created by Tim Barnes' daughter Lydia, aged 7 at the time, following the success of her debut Picklepie. It's flighty and unpredictable, with a smile…
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