Stock
Stock is fat stencil on steroids, or perhaps laughing pills. Many a design will benefit from Stock's loud message. Comes in a regular style and a very unique unicase, as…
Storyville
This is the redrawn and expanded version of an alphabet Rebecca Alaccari made back in 2009 as a bespoke font for a tourism agency looking to recapture the appeal of…
Stretto
Stretto (Italian for narrow) is a revival and expansion of an Aldo Novarese font called Sintex, done for VGC in 1973. Openly idiosyncratic and rebellious in its design idea, Stretto…
Styx
Philip Bouwsma makes use of his extensive calligraphy and type design experience by reaching into his vault and completing one of his unfinished projects from the mid-1990s. The result is…
Sultan
Sultan is a revival and expansion of a 1954 Matrin Kausche typeface called Mosaik. This design highlights the unmistakable Arabic/Moorish calligraphy influence on Celtic lettering, by way of the highly…
Swan Song
Swan Song is a digitization of gorgeous free form calligraphy by British artist Rachel Yallop. It first appeared in The Calligraphy Source Book edited by Miriam Stribley (Running Press, 1986).…
Sympathique
One can never be too tall or too thin, the old adage goes. Sympathique is quite fashionably both. Rooted in two separate film face ideas called Hairstreak (English) and Mossman…
Symposium Pro
Philip Bouwsma's Symposium Pro is a wide Carolingian script that can be set simply or with a wide range of flourishes. It takes its inspiration from the scriptoria of the…
Tabarnak
Tabarnak started out as an assessment and correction of an old concept by George Wilkens. The original idea was for a bold upright alphabet reminiscent of Oz Cooper’s work, but…
Taboo
Taboo is a versatile font family inspired by the magnificent geometric experiments made by Armenian lettering artist Fred Africkian during the late 1970s. Virtually unknown in the west, Africkian was…