Quiller
Quiller is another catch from the hot metal days, another one that managed to slip through the fingers of both the photo-typers and digitizers of last 4 decades. JJ Sierke’s…
Ratio Modern
Designed in 1923 by Friedrich Kleukens for the Stempel foundry, Ratio was one of the first metal faces to bring the Didone genre to the forefront of industrial mass publishing…
Rawhide
Rawhide is a fresh digitization and expansion of a very popular (yet uncredited) early 1970s film type called Yippie, which was commonly used in wild west cartoons and comics. Publishers…
Recta
Recta was one of Aldo Novarese’s earliest contributions to the massive surge of the European sans serif genre that was booming in the middle of the 20th century. Initially published…
Redwood
Redwood is the fresh and lively digitization of the popular ATF landmark, Raleigh Cursive. Drawn by Willard Sniffin in 1929, and introduced by ATF in 1930, this classic script is…
Reiner Hand
One of the earliest fonts published by Canada Type was Almanac, Phil Rutter's digitization of Imre Reiner's 1957 calligraphic typeface, London Script. In 2007, when the font was revisited for…
Rhino
This is Canada Type's second Helmut Matheis revival. Rhino is what Matheis did under the name Mobil for the Ludwig & Mayer foundry in 1960. It's an informal text face…
Robur
It shouldn't be a surprise to anyone that these letter shapes are familiar. They have the unmistakable color and weight of Cooper Black, Oswald Cooper's most famous typeface from 1921.…
Roma
Tom Lincoln's award-winning type design work since the 1960s has been one way or another of expressing his fascination for the Roman majuscules inscribed at the base of the Trajan…
Ronaldson
On April 29, 2006, Simone Chisena uploaded to the WhatTheFont forum a scanned two-page spread from a 1970s Italian gardening book, asking for the identity of the face used on…