Kenotaph NF
This willowy wonder is based on Morris Fuller Benton’s Stymie Obelisk, one in a series of typefaces he designed for American Type Founders in the 1930s. An obvious choice when…
This willowy wonder is based on Morris Fuller Benton’s Stymie Obelisk, one in a series of typefaces he designed for American Type Founders in the 1930s. An obvious choice when…
This curious little gem is patterned after a typeface named "Bloomsbury", released by P. M. Shanks & Sons, Ltd. of London in the 1920s. Its gentle curves and somewhat quirky…
A fine, fat Deco face named Ludlow Stygian provided the basis for this delightful typeface. Although generally formal in character, the font shows a hint of playfulness in the distinctive…
This rough-and-ready display face is based on El Greco Antique, released by the Fundición Richard Gans of Madrid in the 1930s. Distressed but not distressing, rough yet charming, ragged around…
A simple, elegant semiscript…enough said. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.
This exuberant face was suggested by a piece of French sheet music from the 1930s for the song Sur un Air de Shimmy, The name comes from an Australian song…
An unannotated photocopy tucked inside the leaves of an old lettering book yielded this unusual and exuberant Art Deco face. The caps feature a simple “bubbly” pattern that makes this…
In 1910, Friedrich Wilhelm Kleukens designed the namesake for this typeface, which combines medieval letterforms with Art Nouveau sensibilites, for Bauersche Gießerei. Strikingly handsome and unique, its large x-height makes…
This classic face is based on Kleukens Scriptura, designed by Friedrich Wilhelm Kleukens in 1926 for D Stempel AG. It served as an alternative to Lucien Bernhard's Cursive and an…
This typeface made its first appearance in Schelter & Giesecke's 1915 specimen book. It exhibits the cleanness and crispness one might expect in a sans-serif face, along with a few…