Elektromoto NF
This family takes its inspiration from two early Art Deco faces from Germany. The Normal version is based on Dynamo, designed by K. Sommer for Ludwig & Mayer in 1930,…
This family takes its inspiration from two early Art Deco faces from Germany. The Normal version is based on Dynamo, designed by K. Sommer for Ludwig & Mayer in 1930,…
This hefty little number is an amalgam of two typefaces from the Flower Power era, Dave West’s Elephant Gothic and Wayne Stettler’s Neil Bold. It’s an extrabold, sassy headline face…
Here’s a fresh take on a classic, Caslon Black Swash by Ed Benguiat. Big, bold and beautiful, it’s a natural choice for distinctive and attractive headlines. Several alternate lowercase characters…
This elegant unicase uncial face is based on a work by German type designer Ernst Engel from 1927.This typeface masterfully combines Art Deco sensibilities with medieval letterforms, and is suitable…
This charming font, with its hints of the exotic, originally carried the rather prosaic name of Show Card Roman. It appeared in the book "Art Alphabets and Lettering: an encyclopedia…
This unusual face features letterforms inspired by an Austrian travel poster designed by Johann Süssenbek in the 1930s, and rendered in a bold chiaroscuro manner. In case you're wondering, Escondido…
This handy family takes its design cues from Beton, a slab serif designed by Heinrich Jost for Bauersche Gießerei in 1931. A number of characters have been softened by the…
Here’s another happy camper based on the work of master penman Walter Heberling. Its quirky character and offset baseline make for interesting and enticing heads and subheads. All versions of…
This workmanlike typeface is based on the Metro series, designed by William Addison Dwiggins in the 1930s for the Mergenthaler Linotype Company. Its clean lines and balanced color make it…
Based on a typeface named "Titania" from a 1930s specimen book from the Fundición Richard Gans in Madrid, this exquisite design will add a touch of elegance and nostalgic charm…