Helena Signature

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Introducing Helena Signature - Signature Script FontComing with special features combined with such an elegant style, Helena Signature becomes one of a kind typeface that you'll surely need. With its…

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Nigelina font

Nigelina

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Introducing Nigelina - a Modern and Vintage Serif FontNigelina is a modern and vintage serif display font that looks unique, feminine and give a luxurious feel. This modern font has…

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Blank Notes font

Blank Notes

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Introducing Blank Notes - A Handwritten Marker FontBlank Notes is a bold and playful handwritten marker font. It's created with a natural and unique style and has beautiful and neat…

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Westiga font

Westiga

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Introducing Westiga - a Modern & Luxury Serif FontWestiga is a modern and luxury serif typeface designed with beautiful crafted characters that follow the trend. It can be used for…

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Robeaugo font

Robeaugo

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Robeaugo is pronounced as “ro-bo-go”. The name is originated out of the 3 words: robo, beau (French) and go. It’s a mix of Art Deco with round shapes and is…

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Caribantu Grotesque font

Caribantu Grotesque

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It's my first typographic family, made experimentally while learning more and more about typography every day. Its irregular shapes are evident, and in a way, they brought singular originality to…

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Agosto font

Agosto

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Agosto is a font family created by Stefano Giliberti. Each glyph it includes has been drawn by hand on paper resulting in a truly unique, inimitable design. Agosto supports 118…

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Desta font

Desta

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Desta is a font family that doesn’t want to be forgotten. Use it on headings and any other large-sized messages you want to deliver with gravitas and style — then…

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Valerio font

Valerio

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Valerio is the font family to use if you wish to convey your ideas with elegance and a pinch of eccentricity without being out of touch with modernity. Valerio supports…

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Adita font

Adita

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Adita is a font family evolved from the fundamentals. It supports 113 languages, features a total of 485 glyphs and includes an italicized version for each of the 5 weights.

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