New Yorker Type Classic
New-Yorker-Type was one of the first typefaces I tried my hand at in 1985. I meant it as a revival of the typeface used by the New Yorker magazine. I…
New-Yorker-Type was one of the first typefaces I tried my hand at in 1985. I meant it as a revival of the typeface used by the New Yorker magazine. I…
New-Yorker-Type was one of the first typefaces I tried my hand at in 1985. I meant it as a revival of the typeface used by the New Yorker magazine. I…
»NIC« (rhymes with "scenic") is a completely new very elegant grotesk font family that has nice contrast in the up and downstrokes. »NIC« has its own, very special character. The…
Nono is the nickname of my oldest son, Konstantin. His little brother could not really speak yet, but he was always looking for him and said something to the tune…
»NOTA« is a new, narrow, technical font– designed by Gert Wiescher in 2014 and 2015 – has 7 weights with corresponding oblique cuts. »NOTA« is well suited for advertising, logo,…
»NOTA-rounded« is the rounded version of »NOTA«, the new, narrow, technical font– designed by Gert Wiescher in 2014 and 2015 – has 7 weights with corresponding oblique cuts. The »NOTA«…
"NOTABENE" is a new, squarish, narrow, technical font– designed by Gert Wiescher in 2015 – has 7 weights with corresponding oblique cuts. "NOTABENE" is well suited for advertising, logo, billboards,…
»NOTICIA« is my new Sans based on the modernistic, constructivist letterforms of the »Bauhaus« era. The names Herbert Bayer and Paul Renner come to mind as design beacons of that…
Noticia Rounded is the extension of Noticia, my modernistic, constructivist font with that »Bauhaus« feeling. Names like Bayer and Renner come to mind as beacons of that time. Noticia is…
OHIO is a rough headline type in the tradition of Louis Oppenheimer. It is closely related to Lo-Type from Berthold, redesigned in the 1980s by Erik Spiekermann. Matter of fact,…