Brocken
Good ideas never will die. Based on the concepts of former Leipzig student Volker Küster in the mid-1960s, I redrew and digitized the basics and extended them into a complete…
Good ideas never will die. Based on the concepts of former Leipzig student Volker Küster in the mid-1960s, I redrew and digitized the basics and extended them into a complete…
The late-19th and early-20th century standard fraktur in Germany - in three weights. These fonts contain a bunch of useful ligatures, and by typing 'N', 'r' and period you get…
In 1951 Alessandro Butti cut a fontfamily for Nebiolo which he called Fluidum. Both weights, light and bold, were now revived and named Butti.
In 1913, Leipzig-based foundry C. F. Ruehl released a hot-metal font called Caesar-Schrift which was cut by the engraver and medalist Georg Schiller (1858-1937). This humanist sans combines successfully traditional…
Like a phoenix from the ashes - here comes Capitol Pro, a complete redesign of Schriftguss' 1931 Capitol font of which just a few letters existed.
Carla Pro is a lively, legible, and partly joining broad-nib script font. I named it after a favourite colleague, in my hot-metal time, who set on the Linotype next to…
A blackletter font by William Caslon (1692-1766), with Dutch influences, which appeared for the first time in a font sample book of William Caslon & Son, London, 1763. It was…
A blackletter font of decorative style and of obscure origin which was rescued for all devotees of these old hot-metal letters. This font contains a bunch of useful ligatures, and…
Picking up a concept of Fritz Richter, Circensis is the realization of an adorned diplay font which had not been hitherto available, neither as a hot-metal font nor digitally. It…