TCF Zellige
Zellige is a modular typeface inspired by the tiles that can be found in Southern Europe and North Africa. Made of ornamental geometric shapes, with two layers for improved legibility,…
Zellige is a modular typeface inspired by the tiles that can be found in Southern Europe and North Africa. Made of ornamental geometric shapes, with two layers for improved legibility,…
TCF Diple is a sans serif typeface, characterised by the presence of the hand. The letter shapes introduce soft and delicate curvilinear strokes and refined contrast, that contribute to a…
Mafra, the debut typeface by Pedro Leal, a type family suited both for editorial and corporate design, available in five weights, ranging from Light to Black with matching italics. Mafra…
Mafra, the debut typeface by Pedro Leal, a type family suited both for editorial and corporate design, available in five weights, ranging from Light to Black with matching italics. Mafra…
Penna is a calligraphic type system designed by Pedro Leal. Amidst the four available styles you get four different ascender and descender styles, two different styles of starting and ending…
Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such…
Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such…
Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such…
Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such…
Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such…