Demos Next
The Demos® Next typeface family is a complete renewal and expansion to Dutch type designer Gerard Unger’s classic from 1975. This enhanced typeface design introduces subtle changes to character shapes,…
The Demos® Next typeface family is a complete renewal and expansion to Dutch type designer Gerard Unger’s classic from 1975. This enhanced typeface design introduces subtle changes to character shapes,…
This is W.A. Dwiggins’ personal version of the Transitional roman, designed for C.H. Griffith at Mergenthaler.
Another personal version of the Transitional roman designed for Griffith by Rudolph Ruzicka.
The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create…
In the 1980s, the Linotype Corporation worked with the Design School in Basel, Switzerland, to create a new legibility typeface. Professor Andre Gürtler oversaw the research project, with Reinhard Haus…
The Didot family were active as designers for about 100 years in the 18th and 19th centuries. They were printers, publishers, typeface designers, inventors and intellectuals. Around 1800 the Didot…
Linotype Rowena is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This text font was designed by…
Designed by Francesco Simoncini for the Simoncini foundry in 1958, New Aster is a text type designed for use in books and newspapers. New Aster is designed fairly wide with…
Quitador, designed by German designer Arne Freytag (b. 1967), is a constructed Slab Serif typeface family with a humanistic touch especially the Italics. The typeface family has a high x-height,…
Arthur Ritzel designed Rotation for Linotype in 1971. Similar in style to Times Roman, Rotation is sturdier and more legible in text set in small sizes. It was designed for…