Caslon Open Face
Caslon Open Face was issued by the Barnhart Brothers & Spindler foundry in 1915. It was originally called College Oldstyle and was initially a reproduction of Le Moreau de Jeune,…
Chevalier
Designed by the swiss Haas'sche Schriftgiesserei, (Haas Type Foundry) Chevalier is a set of shaded capitals and figures, modern face or fat face in design. Ideal for business cards and…
Chisel
An inline version of the Latin bold condensed, and designed on the suggestion of Robert Harling. There is a double white line, which was originally engraved in Latin type.
Contacta
Linotype Contacta is part of the Take Type Library, which features winners of Linotype’s International Digital Type Design Contest. Ralf Weissmantel designed this font to display no stroke contrast at…
Cooper Black
Cooper Black is a very heavy version of Cooper Oldstyle (also known simply as Cooper), an innovative typeface with rounded serifs and long ascenders designed in 1919. The Cooper family…
DeVinne
DeVinne Ornamental is a display typeface from the famous Parisian typefoundry Deberny & Peignot, developed around 1900. Its style has become synonymous with the Art Noveau period, which was raging…
DIN Next Stencil
The DIN Next™ Stencil suite of designs is DIN with an attitude. It’s even more industrial strength than the original. DIN Next Stencil’s seven roman weights are perfect for projects…
Diotima
Gudrun Zapf von Hesse designed Diotima for D. Stempel AG. The roman was released in 1951, and the companion italic in 1953. As with many of her faces, Diotima has…
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