Odette
The Morris Benton 1918 American classic, Announcement Roman, comes to digital life with more pizzazz than it ever had. Named after the Swan Lake princess, Odette is the ideal choice…
Pendulum
Pendulum is the much-anticipated digitization and swashy expansion of Americana, an amazing yet long overlooked treasure from the Nebiolo foundry, circa 1945. With heavy descenders and seemingly floating ascenders emanating…
Plywood
Plywood is based on a long lost American film classic: Franklin Typefounders's Barker Flare from the early 1970s. Plywood is a surprisingly effective mix between the rigid confidence of nineteenth…
Puma
Based on Herbert Thannhaeuser's 1954 Kurier design, Puma is the digital version of what is possibly the friendliest yet least used heavy brush design. Aside from its utilitarian functionality as…
Quiller
Quiller is another catch from the hot metal days, another one that managed to slip through the fingers of both the photo-typers and digitizers of last 4 decades. JJ Sierke’s…
Robur
It shouldn't be a surprise to anyone that these letter shapes are familiar. They have the unmistakable color and weight of Cooper Black, Oswald Cooper's most famous typeface from 1921.…
Rostrum
The Rostrum fonts are a revival and expansion of a type called Oleander, designed in 1938 by Julius Kirn for the Genzsch & Heyse foundry in Hamburg. Many of the…
Sailor
Sailor is the digital rendition of a film type that was popular in the early- to late-1970s. The type was called West Futura Casual at Photo-Lettering by David West. Some…
Santini
Santini began as an experiment in mixing historical art deco, art nouveau, arts and crafts, and to a lesser extent Bauhaus sources. Surprised at the pleasant outcome of the experiment,…
Serena
The story of Serena is a unique one among revivals. Serena was neither a metal face nor a film one. In fact it never went anywhere beyond Stefan Schlesinger’s 1940-41…
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