1533 GLC Augereau Pro
This font was inspired by one of Antoine Augereau's three roman typefaces: the Gros Romain (±16 Pts) size, used in 1533 to print Le miroir de l'âme..., a religious poetic…
This font was inspired by one of Antoine Augereau's three roman typefaces: the Gros Romain (±16 Pts) size, used in 1533 to print Le miroir de l'âme..., a religious poetic…
In 1525, Albrecht Dürer, the well known German great artist, was publishing the so-called “Underweysung der Messung mit dem Zirckel und Richtscheyt”, printed in Nuremberg. This handbook explained with numeral…
This typeface is an attempt to offer as a font the well known marvelous Hans Holbein “Death Alphabet”, first published in 1523. We have tried to preserve as much as…
This font is mainly inspired from the engraved characters of the small book known as “Operina”, or “The method and rules for writing cursive letters or chancery script” from the…
This set of initial decorated letters was inspired by a font in use in the beginning of 1500s in Paris. Exactly, we have used the set that Barthélémy Verand employed…
This set of initial decorated letters is an entirely original creation, drawn inspired by Italian renaissance patterns. It contains two roman alphabets : one drawn in white on black background…
This set of decorated initial letters was inspired by those used in 1510 in Nancy (France, Lorraine) for printing of "Recueil ou croniques des hystoires des royaulmes d'Austrasie ou France…
This script font was inspired by the type used in Leyden by Jan Seversz to print Breviores elegantioresque epistolae [...], author Francesco Filfelo, circa 1509. The original font contains all…
This family was inspired by the beautiful roman font used by Aldus Manutius in Venice (1499) to print for the first time Hypnerotomachia Poliphili..., the well known book attributed to…